Granny WomanThe men leave us be; at times the granny woman. She knows of green-smelling whiskey, for the poultice. She eases young ones can feed. Now and then never know much about that. of the granny woman, when she
*Until the middle of the 20th century, it was typical for rural communities in the southern Appalachian region of the USA to include “granny women”. One role of these women was to act as midwives, using knowledge of folk remedies to assist in childbirth, and significantly but less extensively, with terminations and contraception. My great-grandmother was one of them, and granny magic/granny witchcraft is still practised today. *This poem was first published in the anthology The Chronicles of Eve (Paper Swans Press, 2016)
Meeting Tink in a bar in Heaven(for Tara) When I sleep, she still exists. Her face peach-bright My friend is a tattooed hologram who hugs and how she’s sorry I can’t be a bridesmaid I won’t tell her when she left he changed his mind. And she says she can’t wait for my wedding, She’s bringing her favourite lover, a leather-and-tartan this one makes her feel more alive than ever. I’ve been here all this time, she says, as music and tells me how I’d love her new friends *This poem was first published at Clear Poetry, and in Kate’s pamphlet You’ve never seen a doomsday like it (Indigo Dreams, 2017)
Following the River Exe on a Wednesday afternoonMy son fixates on sailboats. out to open sea, so we breathe under his nose; I hold his hand by industry, churned with purpose. The boy tilts his head, *This poem was first published at Clear Poetry, and in Kate’s pamphlet The Density of Salt (Indigo Dreams, 2016).
The names of things unseenfor Ethan You discover new spots on our adventures: You pack your bag, almost overflowing: Your friends teach you bits of an ancient tongue: *This poem was first published at And Other Poems, and in Kate’s pamphlet The names of things unseen (one-sixth of Caboodle published by Prolebooks, 2015).
DonkeyskinShe and I did our best with what we had, She and I understood emptying bins She and I hid our black eyeliner, tubes She and I married a second-rate prince She and I crouch beneath long shadows *This poem was first published in Dying Dahlia Review, and in Kate’s pamphlet Losing interest in the sound of petrichor (The Black Light Engine Room Press, 2018)
Shornfor Gráinne Ní Mháille The gossips claim there’s power but she wants to swing a sword ‘You’ll meet your death, girl,’ her father in the wheel, in the rigging, and break in her, our saving grace. drags it across the plaited red gold rocks as she drops dead scarlet rope She will become our Queen. *This poem was first published in The Copperfield Review, and in Kate’s pamphlet Deadly, Delicate (Picaroon Poetry, 2016). |
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Kate Garrett is a writer and editor. She is the founding/managing editor of Three Drops from a Cauldron, Picaroon Poetry, Lonesome October Lit, and the charity webzine and anthology Bonnie’s Crew. Her own poetry has been widely published, nominated for a Pushcart Prize and longlisted for a Saboteur Award, and she is the author of several pamphlets: most recently You’ve never seen a doomsday like it (Indigo Dreams, 2017) and Losing interest in the sound of petrichor (The Black Light Engine Room, 2018). Kate was born in southern Ohio, but moved to the UK in 1999, where she still lives in Sheffield with her husband, five children, and a sleepy cat.
Abigail Dufresne is a twenty-one year old poet, actress, and costume designer from Rhode Island with training in acting, design, movement, and devised theatre from Shakespeare and Company, The Stella Adler Studio of Acting, and The University of Rhode Island. At this point in her career Abigail finds herself drawn mostly to devised theatre and Shakespeare for the opportunities these provide to engage with both poetry and acting within the same medium. She looks forward to exploring how these disciplines can also live within other forms of art.
Aoife Read is a 34-year-old woman born and bred in Dublin. She is a breast cancer survivor, a lesbian and a quiet activist. Aoife has been writing from a young age, from journaling all through her teens to working as a journalist now, currently on a freelance basis, but in the past for local newspapers and as a deputy editor for various magazines. Her true love has always been for poetry though, and she has kept all of the poems she has written throughout her life from her early teens until now. A longtime resident of Swords Co. Dublin, Aoife lives in her family home with her cat, Xena. She has a partner of 6 years, Franky, who has been the focus of many of her poems. You might even say she is her muse, although she would murder Aoife for referring to her that way. Aoife has a huge passion for science, physics in particular, and is a comic book geek and gamer chick and a bit of an all-around nerd. These interests and fascinations are often found creeping into a lot of her work in various ways. Her recent battle with cancer is also something that has coloured a lot of her latest work. Her poetry and writing is laced with something deeper, perhaps thicker ever since.
Angela Patten is author of three poetry collections, In Praise of Usefulness (Wind Ridge Books), Reliquaries and Still Listening, both from Salmon Poetry, Ireland, and a prose memoir, High Tea at a Low Table (Wind Ridge Books). She was winner of the 2016 National Poetry Prize from the Cape Cod Cultural Center and her work has appeared in a variety of literary journals. Born and raised in Dublin, Ireland, she now lives in Burlington, Vermont, where she is a Senior Lecturer in the University of Vermont English Department.
Anne Casey’s poetry has appeared internationally in newspapers, magazines, journals, books, broadcasts, podcasts, recordings and a major art exhibition. Salmon Poetry published her debut collection, where the lost things go in 2017. She won the Glen Phillips Novice Writer Award in 2017 and has been shortlisted for prizes including Cuirt International Poetry Prize, Eyewear Books Poetry Prize and Bedford International Writing Competition, among others. Originally from west Clare, now living in Sydney, Anne is Co-Editor of 
Jess Mc Kinney is a queer feminist poet, essayist and English Studies graduate of UCD. Originally from Inishowen, Co. Donegal, she is now living and working in Dublin city, Ireland. Her writing is informed by themes such as sexuality, memory, nature, relationships, gender, mental health and independence. Often visually inspired, she seeks to marry pictorial elements alongside written word. Her work has been previously published in A New Ulster, Impossible Archetype, HeadStuff, In Place, Hunt & Gather, Three fates, and several other local zines.
Umang Kalra is an Indian poet and a student of History at Trinity College, Dublin. Her work has appeared in Tn2 Magazine, Coldnoon, The Rising Phoenix Review, Porridge Magazine, VAYAVYA, and others. She has previously worked with Inklette Magazine, and is currently involved in a year long mentorship programme for women of colour in Ireland, under the bilingual poet 
Chris Murray 