We are become like phantoms of the night Thro’ the heart’s pity and the heart’s delight. For we have wandered with the wasting streams Across the flower-stained solitude of dreams, The blossom-scattered waterways of dreams. For we have crossed the lotus-covered lake, Where only the sunk places do shake Beneath the waters, and the serpents make A beauteous shining for their passion’s sake. Behold, we are like spectres of the night For the soul’s longing and the soul’s delight. Who for dream’s pleasure and for love’s relief Have drugged dull Time, the heavy footed thief Of old sorrows and the old belief. For we are taught the sea’s iniquities, And see, like fearful-thoughted reveries Sunk vessels by the borders of lost quays. And pale and dreadful hills below the seas. Behold, we are the dreams of vanished nights For love’s old anguish and new love’s delights. We are become like lost men on the moon, Strangers on plains of everlasting noon, Dread wanderers on the mountains of the moon Thus have we seen the moons’ dark fortresses Grown over with moon-moss, where the tree Hung with old dews and woeful radiances Stand like the ghosts of stunted fantasies. We are dumb phantoms of the hollow night Thro’ the soul’s pity and the soul’s delight. Dreamers is by Dorothy Wellesley
Dreamers, by Dorothy Wellesley is taken from Early Poems by Dorothy Wellesley. I accessed the .pdf of her publication, digitized by The Library of the University of California, Los Angeles. Those readers interested in Wellesley can find out more about the writer at theOrlando Project. One of Wellesley’s editors was Kathleen Raine, whose poem, Winter Fire is linked on this blog. Raine also prefaced an edition of A Vision, by W.B Yeats.
There among the roots and trunks with the mushrooms pulsing inside the moss he planned how to eat them both, the grandmother an old carrot and the child a sly budkin in a red red hood. He bade her to look at at the bloodroot, the small bunchberry and the dogtooth and pick some for her grandmother. And this she did. Meanwhile he scampered off to Grandmother’s house and ate her up as quick as a slap.
The image which accompanies this short introduction to Ann Sexton’s book Transformations is from that other mistress of the dark tale/fairy tale’s pen, Angela Carter. The image is from the Neil Jordan produced movie, The Company of Wolves , which Carter scripted based in her collection of Fairy Tales and Wolf stories of transformation and Metamorphoses. The tales did not include those which sit outside of the theme of the movie and are among her classic writing, so I’d generally urge readers who like women’s novels, fiction, prose and critique to seek out Ms Carter’s opus which is available in book shops and on Amazon. High on my list of personal recommendations isThe Bloody Chamber (Bluebeard), The Lady of the House of Love (Vampire) and her essays Expletives Deleted.
I bought Transformations on Friday morning to read on the way home from a brief holiday in my usual haunt, The Rare and Interesting Bookshop, in Mayo, as I have given up on Newspapers doing anything but horrifying me (and not in the delightful Carteresque manner).
Here are Briar Rose, Cinderella, wicked step-mothers, Rumpelstiltskin, The Little Peasant and the coterie of Grimm falling out of the slim but packed volume of tales of transformations and metamorphoses. The twist is in the language and schemes, as opposed to the twists and turns in Carter’s feminist and microscopic eye in her versions.
Briar Rose
Consider a girl who keeps slipping off, arms limp as old carrots into the hypnotist’s trance, into a spirit world speaking with the gift of tongues. She is stuck in the time machine, suddenly two years old sucking her thumb, as inward as a snail, learning to talk again. She’s on a voyage. She is swimming further and further back up like a salmon, struggling into her mother’s pocketbook.
Briar Rose, by Ann Sexton.
Do read the book, it isn’t by any means a new book , but all books are new when discovered , bought or found. And no-one can really tell how one will react to the images, content or stories therein. Always new books are something critics and interpreters forget are an adventure to the mind.
I have included at the end here the name of a collected Carter, the title of the Sexton and a link to another Ann Sexton poem which is on Poethead.