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  • ‘Two Songs of Spring Wandering’ by Wang Wei.

    April 6th, 2010
    Bonnard’s little tree.

    Two Songs of Spring Wandering
    I.
     
    ” The silken willow wands arching the loitering river,
    unfold into smoky strings of leaves;
    The ice in the cold ravine melts into the warm air.
    When the glory of spring has been born again along
    the flower-laden paths,
    We shall already have heard people playing gay tunes
    from the inspiring Yun and Shao.
     
    II.

    Wandering along the willow-bordered trail and over
    Peach-Blossom Stream,
    Hungering for the brightness of Spring – everywhere
    beauty enchants me !
    Flying birds dart now and then to scatter the
    willow catkins;
    Boughs, overburdened, bend beneath whorls of blossom”.

    &nbsp

    Publ. Poems of Wang Wei Trans, Chang Yin-nan
    and Lewis C Walmsley. Charles E Tuttle Company, Tokyo , Japan. 1958.

  • “Letter from the Constellation of the Swan” Lilian Ursu.

    March 26th, 2010

    Letter from the Constellation of the Swan

     
    (For Cathy and Donald)
     
    Once upon a time, maybe two weeks,
    maybe two centuries ago in Pennsylvania,
    a friend telephoned:
    ‘All evening I heard a strange rustling,
    as if someone were trying out
    the word sadness in all the languages of the world.
    I raised my eyes to the sky.
    Wild geese were returning.
    Flocks of swans followed
    in solemn stateliness. I had gone out into my yard
    into the soft breezes of spring
    to hang the communion linen to dry.
    You know the priest gives it to me for washing.’
     
    In this tender night of the mystical Spring of Healing,
    from my window in Bucharest,
    I look up to the constellation of the Swan.
    And suddenly Europe and America are fused
    under wing beats, under the cosmic telescope
    with which I magnify my still falling tear
    toward the undying of my dear father.
      
    Liliana Ursu wrote her poems during the Ceaucescu regime, this selection is translated by Tess Gallagher and Adam J Sorkin. The Sky Behind The Forest, by Liliana Ursu, trans Adam J Sorkin and Tess Gallagher. Bloodaxe Books, 1997.

  • ‘The Blasphemer’s Banquet’ by Tony Harrison.

    March 19th, 2010

    from : The Shadow of Hiroshima and other film poems, by Tony Harrison.

    When you are in hiding , tuned to the BBC,
    I hope you get some joy in watching me
    raise my glass to The Satanic Verses,
    to its brilliance and, yes, its blasphemy.

    Its Blasphemy enabled man
    to break free from the bible and the Koran
    with their life-denying fundamentalists
    and hell-fire such fanatics love to fan.
     

    Omar loves ‘this fleeting life’ and knows
    that everything will vanish with the rose
    and yet, instead of paradise prefers
    this life of passion, pain and passing shows.
     

    Omar writes how nothing stays the same
    and it’s an irony of fleeting fame
    that this tandoori, Omar Khayam today
    Tomorrow will be called another name.

     
    I do recommend the civil arts of reading poetry and expanding the mind, after all we have suffered under the imprimatur for far too long.

    Image from the Chester Beatty Library Image Gallery.

    • From : The Shadow of Hiroshima and other film Poems, by Tony Harrison, Faber and Faber 1995.
    • The Blasphemy section on PH. 

    The newly minted Irish Defamation Bill amendment (enacted January the first 2010) will go to a Referendum to Delete the offence of Blasphemy from the Irish Constitution, in October 2010. The Greens and Fianna Fáil decided that it was a Constitutional Imperative and shoved the offence through under guillotined debate.

    EDIT :  Referendum on blasphemy apparently now delayed until January 2011.

    Update : December 2011, No sign of a Blasphemy Referendum in Ireland, the second anniversary of the criminalisation/amendment  approaches on January the first 2012.

    EDIT :  The offence of blasphemy has not yet been removed from the Irish Constitution,  October 2012.

  • “Faoi Chabáistí is Ríonacha” le Celia de Fréine

    March 10th, 2010

    I try and obtain poetry books at book festivals, mostly because a lot of shops would tend to shove them to the back of the shelves and bustle the brightly coloured airport novels and chicklit to the front!

    Last weeks Dublin Book festival was no exception to the rule, good books all over the place .I bought a Celia de Freine book of pomes, which when I returned home, revealed a hidden CD in the back cover .

    I am excerpting one wee poem from Faoi Chabaistí is Ríonacha today:

    Anamchairde

    (1)

    An Bhean Chaointe

    Taim ag caoineadh anois chomh fada
    agus is chumhin liom
    ce gur dócha go raibh me óg trath-
    seans fiú amháin gp mbinn ag súgradh.
    Ni cuimhin liom an t-am sin
    ná an ghruaim a chinn an ghairm seo dom.

    Ni cuimhin liom ach oiread
    éinne den dream
    atá caointe agam-
    ní dhearna mé taighde ar a saol
    ná nior léigh mé cur síos orthu
    i gcolún na marbh.

    Ach is maith is eol dom
    gach uair a sheas mé
    taobh le huaigh bhealschoilte,
    gur chomóir me gach saol
    go huile is go hiomlán,
    gur laoidh mé éachtaí

    na nua-mharbh
    is gur eachtaigh mé
    lorg a sinsear.
    Tigím anois
    go bhfuil na caointe seo
    tar éis dul in bhfedhim orm.

    Dá mbeadh jab eile agam
    ba bhreá liom bheith im scealaí-
    sui le hais na tine is scéalta a insint.
    D’éistfeá liom- tharraingeodh
    d’Eddifon asam iad
    á n-alpadh sa treo is go slanofaí mé.

    Le Celia de Freine.

    Faoi Chabáistí is Ríonacha, Clo Iar-Chonnachta, indreabhán, 2001.

    Celia de Freine
  • 2010 International Women’s Day: A poem by EBB.

    March 6th, 2010

    Pain in Pleasure

    A thought lay like a flower upon mine heart,
    And drew around it other thoughts like bees
    For multitude and thirst of sweetnesses;
    Whereat rejoicing, I desired the art
    Of the Greek whistler, who to wharf and mart
    Could lure those insect swarms from orange-trees
    That I might hive with me such thoughts and please
    My soul so, always. foolish counterpart
    Of a weak man’s vain wishes! While I spoke,
    The thought I called a flower grew nettle-rough
    The thoughts, called bees, stung me to festering:
    Oh, entertain (cried Reason as she woke)
    Your best and gladdest thoughts but long enough,
    And they will all prove sad enough to sting!

    This from a set of Photocopied pages of EBB, incl. The Sonnets from the Portuguese. 

    • Simone Weil, whose centenary occurred in 2009.
  • Raymond Deane’s Letter to the Irish Times , 26/02/10.

    February 26th, 2010

    This is a C+P from today’s letter’s page in the Irish Times,to which I am linking some PH posts on how Martin Cullen TD has appointed and directed his Arts Council:

    .
    The Irish Times – Friday, February 26, 2010 : Cuts in Arts Council Funding.

    .

    Madam, – So the Arts Council has had its budget cut by 5.6 per cent. While this is regrettable, in the present climate it is hardly draconian (“Arts organisations to discuss severe funding cutbacks”, February 6th).

    Yet instead of spreading this cut evenly across the spectrum of its clients, the council has elected to cut all funding to an apparently arbitrarily selected number of the livelier theatre companies and contemporary music ensembles, as well as the Association of Irish Composers, while “larger theatre companies have been less severely affected”.

    One can only conclude that the council’s aim is to prevent new Irish theatrical and musical works seeing the light of day, while continuing to favour those established arts institutions that are seen as part of the tourist industry.

    It is thereby negating at least three of the goals set out in its Partnership for the Arts document: to “assist artists in realising their artistic ambitions”, to “make it possible for people to extend and enhance their experience of the arts”, and to “strengthen arts organisations countrywide so as to secure the basis of a vibrant and stable arts community”. It is also, in my view, violating its public service remit. – Yours, etc,

    RAYMOND DEANE,

    National Campaign for the Arts.

  • ‘Various Creeds attempt to but can’t split the world of spirit from the world of shit’

    February 24th, 2010

    Abandoned Graveyard : The Blasphemer’s Banquet, Part the IV’

    ” Where some of Bradford’s past already lies
    life flowers in these already bright affirming eyes,
    though her forehead rests on some old grave
    she thinks that time stays still, and never flies.

    It won’t be long before she knows
    that everything vanishes with the rose
    and then she’ll either love life more because it’s fleeting
    or hate the flower and life because it goes”

    from : The Shadow of Hiroshima and Other Film/ Poems, FF, 1995. By Tony Harrison (0ne of a series).

  • The Electronic Frontier Foundation: ‘Digitial Books and Your Rights’.

    February 20th, 2010

    The Electronic Frontier Foundation (EFF) have been lobbying and releasing for quite a period on the Google Book Settlement (GBS).

    I have carried their links on a number of sites regarding the oft-neglected issue of Consumer data privacy in relation to the GBS.Today, so, I am carrying a link to their latest information and to their site, for those who are interested in the issue of privacy and digitisation.

    Here’s the Checklist (in brief, full version at link):

    1). Does your ebook/service tool/etc protect your privacy?

    2).Does it tell you what it is doing?

    3).What happens to additions of books you buy, (commentaries/annotations/highlights)?

    4).Do you own your book or just rent or licence it?

    5).Is it censorship-resistant?

    Number 5 interests me mostly, having experienced some degree of censorship myself, thus a simple enough question? :

    We live in an era where Defamation laws (UK/Ireland) are preponderant, (Blasphemy in Ireland), if a book or licenced edition eBook were to fall foul of these laws, has our government the right to stymie /trace/track our reading ?

    It may seem a silly question but as can be seen in many countries, words piss off governments and even giants like Google fall foul of the censors. I mean if everything were in data banks who gets to snip and clip at an advisory level?

    The article is here:

    EFF ‘Digital Books and your Rights’

    Other digital reading matter.

  • Yeatsian Words, from ‘Selected Criticism’

    February 12th, 2010
    WB Yeats, by John Singer-Sargent

    On Magic

    VIII.

    “I have now described that belief in magic which has set me all but unwilling among those lean and fierce minds who are war with their time, who cannot accept the days as they pass, simply and gladly; and I look at what I have written with some alarm, for I have told more of the ancient secret than many among my fellow-students think it right to tell. I have come to believe so many strange things because of experience, that I see little reason to doubt the truth of many things that are beyond my experience; and that it may be that there are beings who watch over the ancient secret, as all tradition affirms, and resent , and perhaps avenge, too fluent speech.”

    I have been reading Yeats again. The above quote arrested me last night, as I remember going to see his exhibit in the National Library; and all the accoutrements of his magick are housed in glass cabinets there, indeed, I wrote of the National Library here in this blog before. I think that Section VIII in his Selected Criticism is worthwhile and  too long to be transcribing here so I shall leave the details at the end of the small post.

    ‘ Who can always keep to the little pathway between speech and silence, where one meets none but discreet revelations ? ‘

    I am aware that PH is becoming more minimal than before and that I don’t really offer much but snippets and Poesie; BUT that is the joy in reading and exploring, one has to negotiate the labyrinthelike structure of words and their surprises to find what one is looking for (or sometimes not). Books have always presented themselves to me in the weirdest fashions through bequest, or collection. I have written here about digitisation and it’s effect, when the approach is wrong (cf the GBS threads), I think writers should digitise , rather than corporate entities who do not know the life’s work that goes into making a book and treat their writing with such utter contempt.

    WB Yeats, Selected Criticism, ED A Norman Jeffares. Pan 1964

  • Irish Publishing News blog on the Irish Literature Bursary.

    February 9th, 2010

    This is just a link to Irish publishing News reportage on the issue of Irish Arts Council literature bursaries for 2010. The previous two posts on this blog have looked a bit closer at the savaging by the Irish Arts Council of two dedicated Writer’s Centres :

    The Irish Writers Centre, in Parnell Sq and The Western Writer’s Centre in Galway. I have also been discussing the issues of dysfunctionality and lack of independence in the Irish Arts Council on my Facebook and Politics.ie (Irish politics site).

    I expect that I often have linked them to the previous articles , which are also at the end of this post. it interests me that small independents which provide the lifeblood of literary Ireland get condemned whilst business-sponsorship is increased. I wonder at the increase in arts bureaucracy which i see as a devaluation of arts.

    In my opinion the issue of endorsement (for it is not artistic exemption) is based in the changes made by Seán O Donoghue to the 2003 Arts act, which allows the Revenue commissioners to take the advices of a Council appointed directly by the Minister for Arts and Sport.

    Irish publishing News on the reduction in literature bursary .

    statement from the Irish Writers Centre on 0% funding

    Statement from IWC on Poethead.

    Two Writer’s Centres savaged by Martin Cullen TD appointed Arts Council.

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